yet it sounds as fresh today as 10 years ago.Ĭongo Natty is a British posse who has always refused to play in the United States. Roughly 93 to 2001: listening to these tracks one can imagine how exciting this new sound was - the stop'n'go dynamics, the switching between beat patterns, the ragga MC's. I guess Drum'n'bass is pretty much dead, apart from the Break-Core movement where artists like Enduser and Soundmurderer are taking cues from the kinda shit I'm presenting here and adding IDM and industrial flavors. their new output should be avoided - much like Panacea, who made such brilliantly invigorating Terror-Steppin' Hate-Core as a fat kid, but now that he's a metro-sexual makes the cheesiest Euro-rave crap complete with migrane inducing diva vocals. I draw the line at around the turn of the century - Tech Itch, Optical, Dom n Roland and all that Techstep was the last of the D'n'B that was worth anything. The likes of Diesel Boy and their boring repetitive BULLSHIT beats-for-pre-teen-Meth-abusers should be all put to sleep like rabid dogs. Switching gears a bit - first things first, let's get one thing straight: i would avoid anything past 1999 though, because even if "No Sell Out" is the name of one of his tunes, that is indeed what he did - to exactly the kind of boring repetitive lazy D'n'B sound i railed against below.
Hammer released "Raider Nation ( Oakland Raiders Anthem)" along with a video in late 2013 and "All in My Mind" (which samples " Summer Breeze" by The Isley Brothers) in early 2014, with his newly formed group Oakland Fight Club (featuring Mistah F.A.B.).Thanks to Marlon, the entire discography is now available. In late 2012, Hammer appeared with Psy at the 40th American Music Awards and during Dick Clark's New Year's Rockin' Eve performing a mashup of " Gangnam Style" and "2 Legit 2 Quit" together, which was released on iTunes. Hammer signed with Suge Knight's Death Row Records in 1995. Fresh was signed to Hammer's Bust It Records label. Īt about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him. Burrell and Tramaine Hawkins previously performed with Gibson's band in several concerts at various venues, such as the Beverly Theatre in Beverly Hills. "Son of the King" showed up on Hammer's debut album Feel My Power (1986), as well as the re-released version Let's Get It Started (1988). This was CCM's first rap hit by a blue-eyed soul singer and/or duo. Hammer before its release), which was later released on Gibson's album Change of Heart (1988).
Additionally, "The Wall" featured Hammer (it was originally within this song that he first identified himself as K.B.
A part of additional record labels, he has associated/collaborated/recorded with: VMF, Tupac Shakur, Teddy Riley, Felton Pilate, Tha Dogg Pound, Whole 9, Deion Sanders, Big Daddy Kane, BeBe & CeCe Winans and Jon Gibson (or J.G.), among others.īefore Hammer's successful career (and his "rags-to-riches-to-rags-and-back saga"), Burrell formed a Christian rap group known as the Holy Ghost Boy(s) with Gibson, producing songs such as "Word", "B-Boy Chill" and " Stupid Def Yal" (1987). He has introduced, signed and produced new talent (his own acts collaborating with him and producing music of their own during his career) including: Oaktown's 3.5.7, Common Unity, DRS, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, DASIT (as seen on Ego Trip's The (White) Rapper Show), Teabag, Dom Kimberley, Geeman, Pleasure Ellis, B Angie B, The Stooge Playaz, Ho Frat Hoo! and Wee Wee, among others.
#Mc hammer discography rapidshare full#
Throughout his career, Hammer has managed his own recording business and created independent record labels such as Bust It Records, Oaktown Records, Full Blast Digital Music Group and World Hit Records. This article uses bare URLs, which are uninformative and vulnerable to link rot.
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